Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
It represents our planet at the beginning of its journey: a mass of matter waiting for contaminating light that fertilizes it. (it is the only painting without yellow color, common denominator of the others). Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art […]
Ciro Strino’s style is predominantly surrealist even if he does not abandon classical research on the greatest Masters of International Art history. In his paintings he expresses what for him is a dominant thought: the joy and the energy of chromatism understood as a tendency to use colors according to their intrinsic qualities. The use […]
Italiano